Oscar al miglior sonoro

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L'Oscar al miglior sonoro (Academy Award for Best Sound), precedentemente chiamato Oscar al miglior mixaggio sonoro, viene assegnato al sonoro votato come migliore dall'Academy of Motion Picture Arts and Sciences, cioè l'ente che assegna gli Academy Awards, i celebri premi conosciuti in Italia come premi Oscar. Prima della 93ª edizione dei premi Oscar, l'Oscar al miglior mixaggio sonoro e l'Oscar al miglior montaggio sonoro erano premi separati.

Vincitori e candidati

L'elenco mostra il vincitore di ogni anno, seguito dai film che hanno ricevuto una nomination, se possibile con il titolo in italiano.

Gli anni indicati sono quelli in cui è stato assegnato il premio e non quello in cui è stato diretto il film. Nel 1930 si sono svolte due diverse edizioni del premio, una ad aprile ed una a novembre, mentre nel 1933 non è stato assegnato alcun premio.

Per maggiori informazioni si veda la voce Cerimonie dei premi Oscar.

1930

  • 1930 (novembre)
    • Douglas Shearer e Metro-Goldwyn-Mayer Studio Sound Department - The Big House
    • George Groves e First National Studio Sound Department - Song of the Flame
    • Franklin Hansen e Paramount Famous Lasky Studio Sound Department - Il principe consorte (The Love Parade)
    • Oscar Lagerstrom e United Artists Studio Sound Department - Raffles
    • John Tribby e RKO Radio Studio Sound Department - The Case of Sergeant Grischa
  • 1931
    • Paramount Publix Studio Sound Department
    • Samuel Goldwyn - United Artists Studio Sound Department
    • Metro-Goldwyn-Mayer Studio Sound Department
    • RKO Radio Studio Sound Department
  • 1932
    • Paramount Publix Studio Sound Department
    • Metro-Goldwyn-Mayer Studio Sound Department
    • RKO Radio Studio Sound Department
    • Warner Bros. - First National Studio Sound Department
  • 1934
    • Franklin B. Hansen e Paramount Studio Sound Department - Addio alle armi (A Farewell to Arms)
    • Nathan Levinson e Warner Bros. - First National Studio Sound Department - Io sono un evaso (I Am a Fugitive from a Chain Gang)
    • Nathan Levinson e Warner Bros. - First National Studio Sound Department - La danza delle luci (Gold Diggers of 1933)
    • Nathan Levinson e Warner Bros. - First National Studio Sound Department - Quarantaduesima strada (42nd Street)
  • 1935
  • 1936
    • Douglas Shearer e Metro-Goldwyn-Mayer Studio Sound Department - Terra senza donne (Naughty Marietta)
    • Gilbert Kurland e Universal Studio Sound Department - La moglie di Frankenstein (Bride of Frankenstein)
    • Nathan Levinson e Warner Bros. - First National Studio Sound Department - Capitan Blood (Captain Blood)
    • Thomas T. Moulton e United Artists Studio Sound Department - L'angelo delle tenebre (The Dark Angel)
    • Carl Dreher e RKO Radio Studio Sound Department - Notte di carnevale (I Dream Too Much)
    • Franklin B. Hansen e Paramount Studio Sound Department - I lancieri del Bengala (The Lives of a Bengal Lancer)
    • John P. Livadary e Columbia Studio Sound Department - Sulle ali della canzone (Love Me Forever)
    • Republic Studio Sound Department - Mille dollari al minuto ($1,000 a Minute)
    • Edmund H. Hansen e 20th Century-Fox Studio Sound Department - Thanks a Million
  • 1937
    • Douglas Shearer e Metro-Goldwyn-Mayer Studio Sound Department - San Francisco
    • Thomas T. Moulton e United Artists Studio Sound Department - Infedeltà (Dodsworth)
    • Homer G. Tasker e Universal Studio Sound Department - Tre ragazze in gamba (Three Smart Girls)
    • Nathan Levinson e Warner Bros. Studio Sound Department - La carica dei seicento (The Charge of the Light Brigade)
    • John P. Livadary e Columbia Studio Sound Department - È arrivata la felicità (Mr. Deeds Goes to Town)
    • Elmer A. Raguse e Hal Roach Studio Sound Department - General Spanky
    • Edmund H. Hansen e 20th Century-Fox Studio Sound Department - La canzone del fiume (Banjo on My Knee)
    • Loren L. Ryder e Paramount Studio Sound Department - I cavalieri del Texas (The Texas Rangers)
    • John Aalberg e RKO Radio Studio Sound Department - La ragazza di Parigi (That Girl from Paris)
  • 1938
    • Thomas T. Moulton e United Artists Studio Sound Department - Uragano (The Hurricane)
    • Douglas Shearer e Metro-Goldwyn-Mayer Studio Sound Department - Primavera (Maytime)
    • Homer G. Tasker e Universal Studio Sound Department - Cento uomini e una ragazza (One Hundred Men and a Girl)
    • A. E. Kaye e Grand National Studio Sound Department - Una ragazza puro sangue (The Girl Said No)
    • Nathan Levinson e Warner Bros. Studio Sound Department - Emilio Zola (The Life of Emile Zola)
    • John P. Livadary e Columbia Studio Sound Department - Orizzonte perduto (Lost Horizon)
    • Elmer A. Raguse e Hal Roach Studio Sound Department - La via dell'impossibile (Topper)
    • Edmund H. Hansen e 20th Century-Fox Studio Sound Department - L'incendio di Chicago (In Old Chicago)
    • Loren L. Ryder e Paramount Studio Sound Department - Un mondo che sorge (Wells Fargo)
    • John Aalberg e RKO Radio Studio Sound Department - Una donna in gabbia (Hitting a New High)
  • 1939

1940

  • 1940
    • Bernard B. Brown e Samuel Goldwyn Studio Sound Department - Vigilia d'amore (When Tomorrow Comes)
    • Douglas Shearer e Metro-Goldwyn-Mayer Studio Sound Department - Balalaika
    • Thomas T. Moulton e Samuel Goldwyn Studio Sound Department - Via col vento (Gone with the Wind)
    • Charles Lootens e Republic Studio Sound Department - La strage di Alamo (Man of Conquest)
    • Nathan Levinson e Warner Bros. Studio Sound Department - Il conte di Essex (The Private Lives of Elizabeth and Essex)
    • John P. Livadary e Columbia Studio Sound Department - Mr. Smith va a Washington (Mr. Smith Goes to Washington)
    • A. W. Watkins e Denham Studio Sound Department - Addio, Mr. Chips! (Goodbye, Mr. Chips)
    • Elmer A. Raguse e Hal Roach Studio Sound Department - Uomini e topi (Uomini e topi)
    • Edmund H. Hansen e 20th Century-Fox Studio Sound Department - La grande pioggia (The Rains Came)
    • Loren L. Ryder e Paramount Studio Sound Department - The Great Victor Herbert
    • John Aalberg e RKO Radio Studio Sound Department - Notre Dame (The Hunchback of Notre Dame)
  • 1941
  • 1942
    • Jack Whitney e General Service Sound Department - Il grande ammiraglio (That Hamilton Woman)
    • Bernard B. Brown e Universal Studio Sound Department - Appointment for Love
    • Thomas T. Moulton e Samuel Goldwyn Studio Sound Department - Colpo di fulmine (Ball of Fire)
    • Charles Lootens e Republic Studio Sound Department - The Devil Pays Off
    • John P. Livadary e Columbia Studio Sound Department - Uomini nella sua vita (The Men in Her Life)
    • Elmer Raguse e Hal Roach Studio Sound Department - Bionda in Paradiso (Topper Returns)
    • Douglas Shearer e Metro-Goldwyn-Mayer Studio Sound Department - Soldato di cioccolata (The Chocolate Soldier)
    • Edmund H. Hansen e 20th Century-Fox Studio Sound Department - Com'era verde la mia valle (How Green Was My Valley)
    • Loren L. Ryder e Paramount Studio Sound Department - Skylark
    • John Aalberg e RKO Radio Studio Sound Department - Quarto potere (Citizen Kane)
  • 1943
  • 1944
    • Stephen Dunn e RKO Radio Studio Sound Department - Questa terra è mia (This Land Is Mine)
    • Daniel J. Bloomberg e Republic Studio Sound Department - Terra nera (In Old Oklahoma)
    • Thomas T. Moulton e Samuel Goldwyn Studio Sound Department - Fuoco a oriente (The North Star)
    • Bernard B. Brown e Universal Studio Sound Department - Il fantasma dell'Opera (Phantom of the Opera)
    • C. O. Slyfield e Walt Disney Studio Sound Department - Saludos Amigos
    • John P. Livadary e Columbia Studio Sound Department - Sahara'
    • Jack Whitney e Sound Service Inc. - Anche i boia muoiono (Hangmen Also Die)
    • Douglas Shearer e Metro-Goldwyn-Mayer Studio Sound Department - Madame Curie
    • Edmund H. Hansen e 20th Century-Fox Studio Sound Department - Bernadette (The Song of Bernadette)
    • James L. Fields e RCA Sound - So This Is Washington (So This Is Washington)
    • Loren L. Ryder e Paramount Studio Sound Department - La gioia della vita (Riding High)
    • Nathan Levinson e Warner Bros. Studio Sound Department - This Is the Army
  • 1945
    • Edmund H. Hansen e 20th Century-Fox Studio Sound Department - Wilson
    • Daniel J. Bloomberg e Republic Studio Sound Department - Brazil
    • Thomas T. Moulton e Samuel Goldwyn Studio Sound Department - Le tre donne di Casanova (Casanova Brown)
    • Bernard B. Brown e Universal Studio Sound Department - Le conseguenze di un bacio (His Butler's Sister)
    • Nathan Levinson e Warner Bros. Studio Sound Department - Ho baciato una stella (Hollywood Canteen)
    • John P. Livadary e Columbia Studio Sound Department - Fascino (Cover Girl)
    • Jack Whitney e General Service - Avvenne domani (It Happened Tomorrow)
    • Douglas Shearer e Metro-Goldwyn-Mayer Studio Sound Department - Kismet
    • Stephen Dunn e RKO Radio Studio Sound Department - Bagliori a Manhattan (Music in Manhattan)
    • W. M. Dalgleish e RCA Sound - Voice in the Wind (Voice in the Wind)
    • Loren L. Ryder e Paramount Studio Sound Department - La fiamma del peccato (Double Indemnity)
  • 1946
    • Stephen Dunn e RKO Radio Studio Sound Department - Le campane di Santa Maria (The Bells of St. Mary's)
    • Bernard B. Brown e Universal Studio Sound Department - Due pantofole e una ragazza (Lady on a Train)
    • Thomas T. Moulton e 20th Century-Fox Studio Sound Department - Femmina folle (Leave Her to Heaven)
    • Nathan Levinson e Warner Bros. Studio Sound Department - Rapsodia in blu (Rhapsody in Blue)
    • John P. Livadary e Columbia Studio Sound Department - L'eterna armonia (A Song to Remember)
    • Jack Whitney e General Service - L'uomo del Sud (The Southerner)
    • Douglas Shearer e Metro-Goldwyn-Mayer Studio Sound Department - I sacrificati (They Were Expendable)
    • C. O. Slyfield e Walt Disney Studio Sound Department - I tre caballeros (The Three Caballeros)
    • W. V. Wolfe e RCA Sound - Three Is a Family
    • Loren L. Ryder e Paramount Studio Sound Department - Il fantasma (The Unseen)
    • Gordon Sawyer e Samuel Goldwyn Studio Sound Department - L'uomo meraviglia (Wonder Man)
  • 1947
    • John Livadary e Columbia Studio Sound Department - Al Jolson (The Jolson Story)
    • Gordon Sawyer e Samuel Goldwyn Studio Sound Department - I migliori anni della nostra vita (The Best Years of Our Lives)
    • John Aalberg e RKO Radio Studio Sound Department - La vita è meravigliosa (It's a Wonderful Life)
  • 1948
  • 1949
    • Thomas T. Moulton e 20th Century-Fox Studio Sound Department - La fossa dei serpenti (The Snake Pit)
    • Daniel J. Bloomberg e Republic Studio Sound Department - La luna sorge (Moonrise)
    • Nathan O. Levinson e Warner Bros. Studio Sound Department - Johnny Belinda

1950

  • 1950
    • Thomas T. Moulton e 20th Century-Fox Studio Sound Department - Cielo di fuoco (Twelve O'Clock High)
    • Daniel J. Bloomberg e Republic Studio Sound Department - Iwo Jima, deserto di fuoco (Sands of Iwo Jima)
    • Leslie I. Carey e Universal-International Studio Sound Department - Gli ultimi giorni di uno scapolo (Once More, My Darling)
  • 1951
    • Thomas T. Moulton e 20th Century-Fox Studio Sound Department - Eva contro Eva (All about Eve)
    • C. O. Slyfield e Walt Disney Studio Sound Department - Cenerentola (Cinderella)
    • Leslie I. Carey e Universal-International Studio Sound Department - Amo Luisa disperatamente (Louisa)
    • Gordon Sawyer e Samuel Goldwyn Studio Sound Department - Noi che ci amiamo (Our Very Own)
    • Cyril Crowhurst e Pinewood Studio Sound Department - Trio
  • 1952
  • 1953
    • London Film Sound Department - Ali del futuro (Breaking the Sound Barrier)
    • Gordon Sawyer e Samuel Goldwyn Studio Sound Department - Il favoloso Andersen (Hans Christian Andersen)
    • Pinewood Studios Sound Department - Asso pigliatutto (The Promoter)
    • Daniel J. Bloomberg e Republic Studio Sound Department - Un uomo tranquillo (The Quiet Man)
    • Thomas T. Moulton e 20th Century-Fox Studio Sound Department - La dominatrice del destino (With a Song in My Heart)
  • 1954
    • John P. Livadary e Columbia Studio Sound Department - Da qui all'eternità (From Here to Eternity)
    • William A. Mueller e Warner Bros. Studio Sound Department - Non sparare, baciami! (Calamity Jane)
    • Loren L. Ryder e Paramount Studio Sound Department - La guerra dei mondi (The War of the Worlds)
    • A. W. Watkins e Metro-Goldwyn-Mayer Studio Sound Department - I cavalieri della tavola rotonda (Knights of the Round Table)
    • Leslie I. Carey e Universal-International Studio Sound Department - L'avventuriero della Luisiana (The Mississippi Gambler)
  • 1955
  • 1956
  • 1957
    • Carl Faulkner e 20th Century-Fox Studio Sound Department - Il re ed io (The King and I)
    • John Myers e King Bros. Productions Inc. Sound Department - La più grande corrida (The Brave One)
    • John P. Livadary e Columbia Studio Sound Department - Incantesimo (The Eddy Duchin Story)
    • John P. Livadary e Columbia Studio Sound Department - Pal Joey
    • Gordon E. Sawyer, Gordon R. Glennan, Westrex Sound Services Inc. e Samuel Goldwyn Studio Sound Department - La legge del Signore (Friendly Persuasion)
  • 1958
  • 1959
    • Fred Hynes e Todd-AO Sound Department - South Pacific
    • Gordon E. Sawyer e Samuel Goldwyn Studio Sound Department - Non voglio morire (I Want To Live!)
    • Carl Faulkner e 20th Century-Fox Studio Sound Department - I giovani leoni (The Young Lions)
    • Leslie I. Carey e Universal-International Studio Sound Department - Tempo di vivere (A Time to Love and a Time to Die)
    • George Dutton e Paramount Studio Sound Department - La donna che visse due volte (Vertigo)

1960

1970

1980

1990

2000

2010

2020

  • 2020
  • 2021
    • Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés e Phillip Bladh - Sound of Metal
    • Ren Klyce, Coya Elliott e David Parker - Soul
    • Ren Klyce, Jeremy Molod, David Parker, Nathan Nance e Drew Kunin - Mank
    • Warren Shaw, Michael Minkler, Beau Borders e David Wyman - Greyhound - Il nemico invisibile (Greyhound)
    • Oliver Tarney, Mike Prestwood Smith, William Miller e John Pritchett - Notizie dal mondo (News of the World)
  • 2022
    • Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill e Ron Bartlett - Dune (Dune: Part One)
    • Denise Yarde, Simon Chase, James Mather e Niv Adiri - Belfast
    • Simon Hayes, Oliver Tarney, James Harrison, Paul Massey e Mark Taylor - No Time to Die
    • Richard Flynn, Robert Mackenzie e Tara Webb - Il potere del cane (The Power of Dog)
    • Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson e Shawn Murphy - West Side Story
  • 2023
  • 2024
    • Tarn Willers e Johnnie Burn - La zona d'interesse (The zone of interest)
    • Ian Voigt, Erik Aadahl, Ethan Van Der Ryn, Tom Ozanich e Dean Zupancic - The Creator
    • Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich e Dean Zupancic - Maestro
    • Chris Munro, James H. Mather, Chris Burdon e Mark Taylor - Mission: Impossible - Dead Reckoning - Parte uno (Mission: Impossible - Dead Reckoning - Part One)
    • Willie Burton, Richard King, Gary A. Rizzo e Kevin O'Connell - Oppenheimer

Note

  1. ^ (EN) Academy Rescinds Sound Mixing Oscar Nomination for Violation of Campaign Regulations, su variety.com. URL consultato il 26 febbraio 2017.

Collegamenti esterni

  • (EN) Sito ufficiale, su oscars.org. Modifica su Wikidata
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